[vc_row section="yes" bg_color=""][vc_column align="center" width="1/1"][ish_portfolio layout="masonry-regular" open_type="image" use_captions="no" animation="3dcube" category="share" columns="3"][vc_row_inner][vc_column_inner width="1/2"][ish_headline]2014
SHARE[/ish_headline][/vc_column_inner][vc_column_inner width="1/2"][vc_column_text]Performance.
Teatro Studio
with Alessandra Maoggi
In collaboration with Mauro Stagi.
curator Pietro Gaglianò[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width="1/1"][vc_column_text align="left"]SHARE Performance in collaborazione con Mauro Stagi
"SHARE .... Elaborate classical texts and the twentieth century in syncopated action and variations, where urban language codes meet with the poetic word, the body exhibited, the conflicting relationship with the public and with the space. The project investigates the concept of 'share', understood as 'part, portion, contribution, quota, consensus, stock title, auditel index, sharing'. Immersed with spectators in a subway of a too big city, the two artists seek direction, sense of words, a way to escape the anxiety of the contemporary state. SHARE is an urban rite: "It's a mantra that tries to get rid of space, and in the action wants to free the share (share), it wants to relieve it from excessive forms, to bring it back to a more authentic location." Pietro Gaglianò
“The word Share ... ... in its most common use is a fact that is becoming more and more important in the media age, the "telescopic" telescopes, which leads to real challenges to the latest schocking news to increase visualizations, Precisely the percentage share.
The different languages of the texts give the opportunity to seek understanding and knowledge, on the other hand to formulate a sort of "stream of consciousness". You can react "belly" to registry changes or wait for our synaptic connections to point us to an interpretation. The body becomes a tool by which to read the same question contiguously, a body that moves, agile, convulsed, pointing to small gestures or nerve nerves, as in a ritual oblation. A ritual that manifests itself in the stereotypical forms of urbanism, stimulating a common imagination, digging into the literature and finding similar reflections, asking questions, scanning a concept, treating it as if it were pure matter, such as the syncopated rhythm of a city To try to adapt. Acutemic sounds give the acoustic participation an additional strange effect. The sound of the bells reminds us of our abandonment to be slaves of a time marked by appointments to be marked on our Moleskine, united to a more eternal time, that liberates the mind, that of meditation mantras songs, overlapping and mixing with the City noise, events, television services ... Cross the meaning of Share, a precarious, exhaustive, but also physically exhausting game, how to hold a ball between two heads trying not to drop it. " Francesca Biagini
Francesca Biagini
Debut 2014 “piece” performance paths, curator Pietro Gaglianò at Teatro Studio Scandicci.[/vc_column_text][vc_column_text align="left"]press share wallstreet journal
http://www.wsimagazine.com/it/browse-by-continent/europe/italy/share-performance-rito-urbano_20140325145934.html#.Wnm3K80nwkJ[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row bg_color=""][vc_column width="1/1"][ish_separator separator_style="double"][/ish_separator][/vc_column][/vc_row][vc_row bg_color=""][vc_column width="1/1"][ish_headline tag_size="h2" align="center"]
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